ART
& DESIGN DEPARTMENT – BTEC ASSIGNMENT BRIEF
Qualification
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BTEC
National Extended Diploma Art and Design
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Unit Coverage
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33: Fashion Design
35: Fashion Promotion
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Assignment title
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Insect Part 2 - Fashion/Promotion
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Teachers/Assessors
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Mr. I.
Bicknell/Ms. V. Mason/Mrs. G. Bicknell/Ms R. Rendell
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Hand out date
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25 February 2019
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Hand in deadline
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25 March 2019
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Vocational Scenario or context
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Many
fashion designers have used the characteristics of the insect as the
inspiration behind their collections, whether it’s through colour, patterns or
materials to represent their natural state. Texture is another element
Designers try to capture, usually through embellishment but this can also be
shown through structure and the actual shaping of the garment. Most notably
this can be seen in the work of Alexander McQueen, Hendrik Vermeulen, Balmain, Haider Ackermann, Fyodor Golan,
Catherine O’leary and most recently Moschino.
Moving away from Haute Couture many designers are looking now
towards collaborative sportwear design and using their existing skills and
imaginations to create ranges which neatly crossover between performance and
high fashion, providing them with new challenges and sets of criteria that
they must address. Again, the insect world has proven to be rich in
inspirational material. Following this
trend, the fashion-conscious Millfield houses have elected to put forward a
proposal to redesign their individual team kit, each with a specific species
and set of characteristics in mind. It is your task to start the ball rolling
with the design and creation of a hoodie inspired by one of the houses chosen
arthropod mascots, from which a full kit may eventually be built if the
Headmaster can see the potential in this, so you have an important job to do!
You must choose one of the following from which to develop you work
for this project.
The Abbey Ants The Butleigh
Beetles The Holmcroft
Hornets
The Kernick Killer
Bees The Martin’s
Moths The Portway
Pests
The Shapwick Spiders The Southfield Scorpions The Walton wasps
In addition to this brief please refer to https://btecartanddesignblog.blogspot.com/ for additional guidance throughout the
project.
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Task 1
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In order to work from an informed perspective,
you must gather and carefully present a broad range of information within a
new sketchbook. This should include online research, existing garment
appreciation and conversation with your chosen house (market
research). Within this there should be
some strong evidence of your investigations into some current trend analysis.
These agency sites are a good start but you must also document specialist
publications, fashion blogs and social media – knowledge is power! https://www.ispo.com/en/awards/textrends/textiles-trends-spring-summer2019, http://www.mintel.com/,
https://fashionunited.com/news/fashion/trend-seminar-these-are-the-four-biggest-trends-for-autumn-winter-2019-2020/2018052521407
In relation to existing sportswear design, you
must provide a breakdown of the purpose, need and creative intentions of the
garment you are to design and some investigation into potential materials,
techniques and processes, carefully considering the workability of all in
terms of their values and constrictions.
You must consider all the things that have a
bearing on fashion design in general such as cultural associations (popular
and global), values, environmental and ethical considerations in the use of
materials and techniques continually.
At this point you should order a range of different samples of
traditional and non-traditional activewear material samples. This could be
useful in determining what you might need to order.... https://ukfabricsonline.com/waterproof-fabric/
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Timescale for completion of this
task:
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Completed by Wednesday 27
February.
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Checklist of evidence required:
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4 pages of analytical research, with imagery based on
current activewear trend analysis.
1 page on one high profile activewear designer focusing on a
particular collection.
Evidence of discussion with chosen Millfield house on contributory
factors in relation to both form and function of hoodie design.
2 pages of analytical research, with samples, on materials
commonly used in activewear manufacture including information on price,
durability and design worth/potential.
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Task 2:
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Now that you have gathered the required technical and
inspirational material, you should begin to design your Hoodie through the
use of fashion illustration on well-presented design boards - these
will be shown to your “clients” later on, so they must be effective in how
they communicate your intentions. At this stage it is important to consider a
breadth of ideas and to look for some distinct methods of promoting the
characteristcs of your Insect diversely. You should be thinking about how you
will use shape, embellishment, surface texture and colour both individually
and in different combinations. It is also vital that you maintain an
awareness of the practical implications of your designs too, in this you should
consider purpose, durability, weight, warmth and function.
At this stage you should have a good understanding of media
and process and must use this knowledge appropriately. Think about which
media will work best or most creatively with each process. You must consider
how you might use the sewing machine, the laser cutter, the vinyl cutter,
digital imaging, cutting and slashing and the silk screen. Provide some
written analysis of this and how it is appropriate to your intentions.
You must include the transcripts of your house discussions
in the development of your designs as well as evidence of brainstorms,
sketching (ie preliminary ideas prior to 3 final designs) and mindmaps.
A good place to look for examples of fashion illustration
for activewear is Behance. Two examples are given below.
Nichole Rodriguez
Brianna Vizcaino
You will be working from fashion templates initially, but it is
important that you develop your own visual language in this. The film below
is a useful example of how to translate your given theme into a fashion idea.
Please also remember to refer to the information you have gathered
in your trend analysis research.
*PLEASE DEVELOP SURFACE DESIGN
IDEAS IN THIS ALSO AND BOOK SCREEN AND THE LASER CUTTER IF REQUIRED BY
THURSDAY 7TH MARCH*
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Timescale for completion of this
task:
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By Wednesday 6 March, as you will need the designs to progress
with your next task.
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Checklist of evidence required
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3 separate fashion illustrations which show
the front and back of 3 different Hoodie designs. Each should include two
colour illustrations (front and back of the garment), word processed
annotation (design direction) and some space to apply the range of fabric
samples/additions which you will make next.
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